Continued from Part 1, Introduction.
Outline
Introduction 1:1-8
The Seven Lamps: First Unnumbered Suite
- Prelude of Lamps: Christ Amid the Lamps - 1:9-20
- Quartet of Lamps: The Western Churches - 2:1-2:29
- First Lamp: Ephesus - 2:1-7
- Second Lamp: Smyrna - 2:8-11
- Third Lamp: Pergamum - 2:12-17
- Fourth Lamp: Thyatira - 2:18-29
- Trio of Lamps: The Eastern Churches - 3:1-3:22
- Fifth Lamp: Sardis - 3:1-6
- Sixth Lamp: Philadelphia - 3:7-13
- Seventh Lamp: Laodecia - 3:14-22
The Seven Seals: First Numbered Suite
- Prelude of Seals: The Heavenly Throne - 4:1-5:14
- Quartet of Seals: The Four Horsemen of the Apocalypse -
6:1-6:8
- First Seal: The White Horse - 6:1-2
- Second Seal: The Red Horse - 6:3-4
- Third Seal: The Black Horse - 6:5-6
- Fourth Seal: The Pale Horse - 6:7-8
- Trio of Seals: The Outrage of the Saints - 6:9-6:17
- Fifth Seal: The Souls at the Bronze Altar - 6:9-11
- Sixth Seal: The Terror of Judgement - 6:12-17
- First Interlude: The Israel Interlude - 7:1-7:17
- Quartet: The Saints - 7:1-8
1: Angels of the Wind, 7:1
2: Angel of the Sun, 7:2-4
3: The Numbering, 7:4-8
4: The Numberless, 7:9-10
- Trio: The Dialogue - 7:11-17
5: The Amen, 7:11-12
6: The Question, 7:13
7: The Answer, 7:14-17
- Seventh Seal: Silence in Heaven - 8:1
The Seven Trumps: The Second Numbered Suite
- Prelude of Trumps: The Golden Altar - 8:2-6
- Quartet of Trumps: One Third of Destruction - 8:7-8:12
- First Trump: Burnt Fields - 8:7
- Second Trump: Bloody Sea - 8:8-9
- Third Trump: Wormwood Waters - 8:10-11
- Fourth Trump: Darkened Sky - 8:12
- Trio of Trumps: The Woes of the Eagle - 8:13-11:15
- Fifth Trump: Locusts of the Abyss - 9:1-12
- Sixth Trump: Chimerae of the Euphrates - 9:13-21
- Second Interlude: The Jerusalem Interlude - 10:1-11:13
- Quartet: The Angel of the Scroll - 10:1-11
1: Thunder Angel, 10:1-4
2: The Oath, 10:5-7
3: The Edible Oracle, 10:8-11
4: Measuring the Temple, 11:1-2
- Trio: The Two Witnesses - 11:3-13
5: Moses and Elijah, 11:3-6
6: Their Martyrdom, 11:7-10
7: Their Resurrection, 11:11-13
- Seventh Trump: Heaven's Invasion - 11:14-15
The Seven Signs: The Second Unnumbered Suite
- Prelude of Signs: The Opened Temple - 11:16-19
- Quartet of Signs: The Beasts of the Apocalypse - 12:1-14:5
- First Sign: The Woman and the Dragon - 12:1-17
- Second Sign: The Beast - 13:1-10
- Third Sign: The False Prophet - 13:11-18
- Fourth Sign: The Lamb on Zion - 14:1-5
- Trio of Signs: Descents from Heaven - 14:6-15:1
- Fifth Sign: The Three Angels - 14:6-13
- Sixth Sign: The Harvest of Blood - 14:14-20
- Seventh Sign: The Seven Last Plagues - 15:1
The Seven Cups: The Third Numbered Suite
- Prelude of Cups: The Song of Moses - 15:2-8
- Quartet of Cups: The Plagues of the World - 16:1-16:9
- First Cup: The Marked Land - 16:1-2
- Second Cup: The Bloody Sea - 16:3
- Third Cup: The Bloody Waters - 16:4-7
- Fourth Cup: The Burning Sun - 16:8-9
- Trio of Cups: The Plagues of Babylon - 16:10-16:21
- Fifth Cup: The Darkened Kingdom - 16:10-11
- Sixth Cup: The Empty River - 16:12-16
- Seventh Cup: The Shattered City - 16:17-21
- Third Interlude: The Babylon Interlude - 17:1-19:5
- Quartet: The Scarlet Woman - 17:1-18
1: Babylon on the Beast, 17:1-6
2: The Angel Interprets, 17:7-18
3: The Fall Proclaimed, 18:1-3
4: The Fall Described, 18:4-20
- Trio: Heaven Revels - 18:21-19:5
5: The Millstone Angel, 18:21-24
6: The Multitude Rejoice, 19:1-3
7: The Amen, 19:4-5
The Seven Visions: The Third Unnumbered Suite
- Prelude of Visions: The Marriage of the Lamb - 19:6-10
- Quartet of Visions: Armageddon - 19:11-20:3
- First Vision: The White Rider - 19:11-16
- Second Vision: The Angel in the Sun - 19:17-18
- Third Vision: The Beasts' Damnation - 19:19-21
- Fourth Vision: Satan's Abyssing - 20:1-3
- Trio of Visions: Kingdom Come - 20:4-22:5
- Fifth Vision: The Millenium - 20:4-10
- Sixth Vision: Judgement Day - 20:11-15
- Seventh Vision: The New Creation - 21:1-22:5
Postlude: The Promise - 22:6-21
Continue to Part 3, Jewish Themes.
Back to Part 1, Introduction.
Return to Introduction to Essays
Return to Wind Off the Hilltop
Copyright © Earl Wajenberg, 2011